Showing posts with label choosing an agent. Show all posts
Showing posts with label choosing an agent. Show all posts

Wednesday, January 12, 2011

We're almost there...

I have just one set of questions left (after today's). Thank you so much everyone who participated, and I hope you've found this series of Q&A helpful.

Danyelle said... Thanks for your generosity. :)Question: If you have more than one offer of representation, how do you handle telling the other agents that you didn't pick?

After you have carefully made an informed decision on which agent is best for you, the best way to let the other agents know is to send them a professional and kind email letting them know of your decision. Unless you feel like you had a closer relationship throughout the process that would necessitate a phone call. But usually, an email is sufficient.

Theresa Milstein said... Since we often send queries with pages, how do we know when it's the query or the pages or other?

I'm assuming you're asking when should you send pages and when should you just send the query? This is where your research becomes very important. Find the most up to date information on the agent you are querying (through agentquery.com, their websites, etc.). They will tell you what they want. However, if an agent says "query only," I'd usually send the first page with it (pasted in the email) so they could see a small sample of my writing and include a sentence that said, "I am also including a one-page excerpt from ____." (Or something like that.) I had a couple of author friends recommend I do that, and I found it was generally a good thing.

Brooke said... Great contest and thank you for your generosity!My question is what happens if you have more than one project ready to query?

In my opinion and from what I know, I say you pick the one that you think is the best, and you only query that one. (As long as they are the same genre or "age group"--aka, both YA, or both non-ficton, etc. so the same agent could represent both of them.) Once you have an agent interested, then you can tell them about your other project. However, I've had someone else tell me recently that she disagrees and thinks you should let them know in the query that you have another one ready. Everything I ever read or have heard is NOT to do that, but she is a knowledgeable person and says she's had success with it. So you may want to research that one a little bit more.

We're half way through the week, and so far mine has been awesome. I can only hope the trend continues! How about you? Is January 2011 treating you well?

Monday, October 18, 2010

What to ask an agent

I got quite a lot of responses on my post about making sure you're picking the best agent for you. Many of you expressed interest in what my list would be in what to look for/ask a prospective agent. So here is the list I came up with when I was trying to decide on my agent:

1. What did you like the most about my book?
2. Do you see or want any major edits done before submitting it, or is it ready?
3. What is your editing style?
4. What is your agenting style? (Hands on? Phone calls, emails, lots of communication or minimal?)
5. How often will you be updating me regarding the status of your submissions?
6. How many editors do you plan to pitch to in the first round?
7. What editors/houses do you have in mind to pitch it to?
8. Are you interested in repping just this, or all of my future projects?
9. Do you handle subsidiary/foreign rights?
10. Do you have someone on your staff who checks royalty statements for accuracy and errors?
11. Do you have a written agreement?

Those were the main questions I came up with, and actually printed off with a pen handy for my phone conversations with agents. It helped me find out some major points to expect in our professional relationship: What are his/her thoughts on my book? Are we going to be doing major/minor/no revisions? and how does he/she prefer to revise/edit? Is this agent going to be very personable with lots of contact by email and phone, or very distant--just the basic communications, only when absolutely necessary? What is their plan for my book and my career? Is this book the only one they are interested in or do they want to be an advocate for my whole career? How will all the details of a deal be taken care of? You should have a very clear idea of what your relationship and career would be like with this agent after you get the answers to all of these questions.

However, the most important part of these questions is knowing what YOU want. What kind of agent do you want/need? If you're not sure, try answering the questions how you wish an agent would answer, and that will help you figure it out. I hope this was helpful! Any additional thoughts or questions, let me know and we can continue the discussion on Wednesday if you'd like. Hope you had a great weekend!

Wednesday, October 13, 2010

Look before you leap

Aspiring authors who've yet to get one all dream of one thing (or person as the case may be). Their future agent. They want an agent, and they want one now. But there is wisdom in making sure you don't just find the first agent who will say 'yes.' You need to find the agent who is right for you, and for your career.

I've spoken with a few different authors/aspiring authors who have had to part ways with their first agent at different times. Does that mean the agent was a "bad agent?" No, it doesn't. In fact, not at all. In one case, the same agent represented two different authors I know. For one author the agent did a great job selling the author's work and working together, but in the second case after about a year, it just didn't work out. Same agent. Same skills. Different authors. Different results. So again, does it mean the agent was 'bad?' Obviously not, the agent did a great job for one of the authors. What it means is that every agent is a person, not just a means to getting you published. They have personalities (gasp!), they have editing styles, they have agenting styles. And what is a perfect fit for one author, might not be for you.

So, when you are querying and get to the stage where you are getting interest in your mss, make sure you take the time to really talk to the potential agents. Talk to their authors even, if you're still not sure. Write out a list of questions that mean the most to you. If you don't know what those questions should be, sit down and write out what factors/traits are most important to you in an agent. Not sure what they should be? Maybe I'll make that a future post. Off the top of your head, what do you think is the most important factor in choosing your agent?